Ohkami No Jikan – Black Tape II LP

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RELEASE DATE: 2/27/2026 Black Tape IIis only the second widely available release byOhkami No Jikan(The Time of the Wolf), one of the more esoteric groups of the 1990s Tokyo underground. Recorded in 1992, it illuminates a largely undocumented facet ofNanjo Asahito‘s psychedelic cosmology, distinct from his better-known work withHigh Rise,Musica Transonic, andToho Sara. Aside from a handful of limited, handmade cassettes and CD-Rs on his La Musica label, there’s only been one Ohkami No Jikan album,Mort Nuit, that made it beyond the collector inner circle. One of Nanjo’s longest-running, most mysterious outfits, Ohkami No Jikan’s conceptualization — as a psych…

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RELEASE DATE: 2/27/2026

Black Tape IIis only the second widely available release byOhkami No Jikan(The Time of the Wolf), one of the more esoteric groups of the 1990s Tokyo underground. Recorded in 1992, it illuminates a largely undocumented facet ofNanjo Asahito‘s psychedelic cosmology, distinct from his better-known work withHigh Rise,Musica Transonic, andToho Sara. Aside from a handful of limited, handmade cassettes and CD-Rs on his La Musica label, there’s only been one Ohkami No Jikan album,Mort Nuit, that made it beyond the collector inner circle. One of Nanjo’s longest-running, most mysterious outfits, Ohkami No Jikan’s conceptualization — as a psych outfit “that explores ‘stasis’ and ‘motion,’ both actively and philosophically” — hints at the intensity of the music here. There’s a pellucid beauty to much ofBlack Tape II, with the simplest, most erotically charged chord changes descending from the heavens, Nanjo moaning consumptively as the songs slip by in an acid daze. The 1992 line-up here, withAsai Fumiyoon bass andNagao Koujion drums, was one of many variations of Ohkami No Jikan; simultaneously languorous and heavy, at times pushed into the red with arcing blasts of feedback, the group feels cosmically aligned with Nanjo’s purity of vision. Housed in a custom die-cut, “Uni-Pak” style gatefold with metallic ink, spot finishes and matching La Musica inner sleeve. La Musica Records was a label founded by Asahito Nanjo in Tokyo during the 1990s. It released nearly 200 cassettes and CD-r’s, all handmade in micro-editions and sold at shows. The catalog featured artists and recordings largely of obscure, often completely unknown origin, sanctioned and “grey-area” documentation of the Tokyo psychedelic underground.Black Tape IIis part of Black Edition’s work to bring La Musica’s unique and confoundingly beautiful catalog to light.

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