Description
The sophomore effort from Gray/Smith refines their petroleum-based, hard-lullaby sound with a decidedly dusty precision. Formed in the outer-edges of Kings and Richmond counties circa 2020, Gray/Smith is something of an East-coast involution. L. Gray (guitar and vocals) and Rob Smith (drums, guitar and vocals) are both trusty veterans of bands bands like Pigeons, No-Neck Blues Band, Rhyton, and the Suntanama, freewheeling groups known for mining from polyglot sources: rough-hewn folk and the spiritual avant-garde, bargain-bin hard rock and and collectors-choice psychedelia alike. On their first, self-released LP Gray/Smith, serendipitously recorded at Garys Electric at the top of 2021, the pair trained their assured chops onto the great American song-form, honing a murky but tight approach that variously cribs urban cowboy and finger-picked primitivism.
To call this pairs brand of country-rock dtournement cosmic would be too breezy: L. Gray and Rob Smith prefer to stare into sunken depths, channeling their recondite affections for lay-by mauve zones and red-dirt guitar wanderings. Heels in the Aisle is the slipshod, burnt-out, mid-70s unter-prog comedown to their debuts backwoods, bushy-tailed, early-70s, country-rock meanderings. For fans of Meat Puppets, Ronnie Milsap, Traffics John Barleycorn Must Die, the oceanic ebullience of the sacred, and the salty tang of the profane.
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