Paul Ngozi – Lightning and Thunder LP

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“A late period hard-rock, proto-punk entry in Zambian guitarist and bandleaderPaul Ngozi‘s extensive catalog. LP includes oversized eight-page booklet detailing Ngozi’s arc, rare photographs, discography and annotations. Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. FromMusi-O-Tunya’sfusion ofFela‘s Afro-beat,Hendrix‘s rock, South African jazz and traditional Zambian melodies and…

SKU: AMR292162265
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“A late period hard-rock, proto-punk entry in Zambian guitarist and bandleaderPaul Ngozi‘s extensive catalog. LP includes oversized eight-page booklet detailing Ngozi’s arc, rare photographs, discography and annotations. Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria’s was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as the newly-named country, formerly known as Northern Rhodesia. Zamrock is starting in its completeness, especially for a scene that emerged, unfurled and disappeared so quickly. FromMusi-O-Tunya’sfusion ofFela‘s Afro-beat,Hendrix‘s rock, South African jazz and traditional Zambian melodies and rhythms toSalty Dog‘s acid folk/rock, Zambia’s rock scene contained all of rock’s subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name.WITCH, Paul Ngozi, andAmanazsound nothing like other rock music from the African continent — or elsewhere. Zamrock came from a nation’s youth carrying forth the momentum of a political and social revolution with a musical revolution that maintained the fiery power of early rock — in the mid-to late-’70s. From that era, Zamrock’s energy is matched only by the punk and hip-hop scenes of England and America.”

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