American Football – American Football LP / 2LP

Original price was: $26.99.Current price is: $16.19.

**Single LP Edition Back in Stock! American Football existed for a blink of an eye, coming together in the late ’90s in a small Midwestern college town out of a small but enthusiastic pool of young musicians. The band, consisting ofCap’n Jazz/Joan of ArcalumniMike Kinsellaas well as guitaristSteve Holmesand drummer Steve Lamos, played only a few live dates before devolving into a recording project and then silently disappearing altogether around 2000. Apart from a three-song EP, their self-titled 1999 album was all the trio left behind, its nine songs exploring a hushed, thoughtful take on the often more aggressive tones…

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**Single LP Edition Back in Stock!

American Football existed for a blink of an eye, coming together in the late ’90s in a small Midwestern college town out of a small but enthusiastic pool of young musicians. The band, consisting ofCap’n Jazz/Joan of ArcalumniMike Kinsellaas well as guitaristSteve Holmesand drummer Steve Lamos, played only a few live dates before devolving into a recording project and then silently disappearing altogether around 2000. Apart from a three-song EP, their self-titled 1999 album was all the trio left behind, its nine songs exploring a hushed, thoughtful take on the often more aggressive tones of the hardcore-birthed emo scene. American Football’s songs dig deep into uncommon time signatures and jazz-influenced chords, and even implement understated trumpet and electric piano into their web of interlocking guitar runs and muted, softly smiling vocals. Happening concordantly with a thriving post-rock movement hubbed close by in Chicago, the band has hints of the same musical crosscurrents ofTortoiseorGastr del Sol, setting their songs apart from the flock. The airy riff in 3/4 time andKinsella‘s buried, eager vocals on opening song “Never Meant” set the tone for an album of soft-spoken yet high-spirited songs not quite like any of the band’s emo contemporaries. The band seemed primarily focused on instrumental composition, with fully instrumental tracks like “You Know I Should Be Leaving Soon” and “The One with the Wurlitzer” standing out and vocals sounding like a floating, distanced element on many of the tunes that include them. The lilting, mysterious tone of the album is only occasionally broken up by an upbeat rocker like “I’ll See You When We’re Both Not So Emotional,” where the band marries its jazz-influenced chops to the same kind of wide-eyed emo popthe Promise Ringwas making at the time.Kinsellawould go on to release solo material asOwen, drawing on the same soft-focus melodies he employed with American Football, but the collaborative magic he found withHolmesand Lamos would never quite be recaptured in any of the three’s future projects. Every song here manages to sound meticulously constructed without diminishing the easy, often dreamlike feel of the album. The record is defined by a sense of possibility and youthful discovery, and stands out not just as an anomalistic emo-jazz hybrid but as a lasting, iconic statement in the often blurry history of independent music. -All Music Guide

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