Description
When dubwise music really started to come into its own in the early to mid-70s, it made overnight stars of backroom boys who had hitherto worked behind a mixing desk to serve those who were beginning to hoist reggae to an international stardom that it had long deserved, but that it had only achieved on short and non-sustained bursts untilChris Blackwelldecided to throw a lot of promotion and money at the work ofBob Marleyand his fellowWailersin 1972. Of those men, there was no bigger star than the lateOsbourne Ruddock, the greatKing Tubby‘s and the man who, from a tiny home-made studio in the Waterhouse district of Kingston, Jamaica, did more than most to reposition the boundaries that production and mixing of Jamaican recordings.
Reviews
There are no reviews yet.