Quasimoto – The Further Adventures of Lord Quas 2LP

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His name is already attached to three of underground rap’s seminal releases (Lootpack‘sSoundpieces: Da Antidote!,Madvillain‘sMadvillainy, and the firstQuasimotoLP,The Unseen), so it can’t come as a surprise thatMadlib‘s return of Lord Quas takes its place right alongside them. When he debuted in 2000,Quasimotoimmediately became one of hip-hop’s most bizarre characters, a helium-voiced, barely-teenage-sounding rapper capable of drawling the dozens like a Cosby Kid gone to seed or spouting more insane gibberish than a crackhead casualty. Helpfully, his obtuse material appeared over the most innovative new production style in rap — crackly, bouncing productions with samples reflecting his obsessions with jazz-funk maestros…

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His name is already attached to three of underground rap’s seminal releases (Lootpack‘sSoundpieces: Da Antidote!,Madvillain‘sMadvillainy, and the firstQuasimotoLP,The Unseen), so it can’t come as a surprise thatMadlib‘s return of Lord Quas takes its place right alongside them. When he debuted in 2000,Quasimotoimmediately became one of hip-hop’s most bizarre characters, a helium-voiced, barely-teenage-sounding rapper capable of drawling the dozens like a Cosby Kid gone to seed or spouting more insane gibberish than a crackhead casualty. Helpfully, his obtuse material appeared over the most innovative new production style in rap — crackly, bouncing productions with samples reflecting his obsessions with jazz-funk maestros like Stanley Cowell and Grant Green. While onThe Unseen, he moved through the streets like a ghost,Further Adventuresfinds him a streetwise inhabitant of his Lost Gates neighborhood, with nearly every possible permutation of low-intensity inner-city conflict covered on tracks like “Bullyshit” (on bullies), “Greenery” (weed), and “Bus Ride” (panhandlers). It’s a parody of urban life —Madlibgrew up in Oxnard, after all — that’s half-Fat Albert and half-Sweet Sweetback (the latter no accident, with the inclusion of vintageMelvin Van Peeblesfilm dialogue on eight tracks, much of it ingeniously interwoven withQuasimoto‘s new performances). Not thatFurther Adventurescould be described as linear — these 26 tracks actually conceal close to 50 individual skits, grooves, sci-fi dialogue, educational records, and pot fantasies — butMadlibhas formed a tighter frame around his productions than ever before. The sound, what’s recognizable of it, expands onMadlib‘s base of soul and jazz-funk, adding snatches of ’80s urban and ’70s smooth soul, the perfect bed for these tales. For the most part,Quasdoesn’t allow himself any nostalgia, but when he does, it becomes almost a little poignant, as on “Rappcats, Pt. 3” (where he shouts out to all his favorite old-school rappers) or the point on “Bartender Say” when the wisdom yields this little nugget: “What’s the prettiest thing you ever seen?/ The sun pushing down, making things grow/The silence in the dawn when a car goes past.” -All Music Guide

The Further Adventures of Lord Quas by Quasimoto

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