Description
With their respective tongues in their respective cheeks, Sami, Hannah, Eva, and Sinclair of The Shes proudly present to you their second LP – “all female rock and roll quartet”. This time The Shes are behind the wheel, self-producing this release with counsel and encouragement from tUne-Yards Merrill Garbus.
Lyrically, The Shes deliver a more mature, grounded, and self-aware album than ever before. Their storytelling is cathartic and relatable. Across twelve tracks, The Shes examine themes of guilt, heartbreak, disappointment, frustration, yearning, and acceptance. The Shes effortlessly balance lyrical sophistication and bluntness, like in Death Dreams when Sami plainly asserts, hate how you treat the air like youll find your breath in it somewhere.
Tonally, “all female rock and roll quartet” strays a bit from earlier releases. Drawing inspiration from Thao & The Get Down Stay Down, Sleater-Kinney, and tUne-Yards, The Shes have officially leveled up in terms of sonic experimentation and eccentricity. From the blown-out wall of blistering guitars in Ashes, to the trance-inducing ebb and flow of the rhythm section in Sorry, to the spacious, angelic build up of vocal, guitars, and percussion in Holly, The Shes second LP offers up a plentiful spread of compelling tones and arrangements for listeners to lose themselves in.
“all female rock and roll quartet” by The She’s
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