Description
As new performance enhancing hardware, nearly sentient devices, and cloud-borne apps breach our brainspaces each day, our conceptions of the human body and mind must undergo a process of continual reconfiguration. Alexandra Drewchin, who performs solo under the Eartheater moniker, seeks on a daily basis to upgrade her mental software. As the frontwoman of the ecstatic avant-psych ensemble Guardian Alien, Drewchin dives into extended improvisations in pursuit of the fearless release of emotions and sounds beyond the capacity of premeditation. On her debut solo full-length Metalepsis, Eartheater traces the opposite trajectory: the deliberate distillation of voice, synths, guitar, and electronic production techniques into short-form compositions teeming with crystalline details.
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