Description
Songs released on Perrys Upsetter label would feature the three singers, the Barretts plus guitarist Alva Lewis and keyboard-player Glen Adams. Johnny Nash was one of the first Jamaicans to win consistent recognition outside the Caribbean, and Bob joined him on an overseas tour in 1970. The following year saw four Marley-penned songs appear on a best-selling album by Nash which brought him to the attention of Island Records. They not only provided promotional clout for Catch A Fire (1973) but used session musicians to sweeten the sound and make Marleys reggae more palatable to a white audience. The eventual departure of Livingston and Tosh left the singer the undisputed centre of attention, a giant boost came when Eric Claptons 1974 version of I Shot The Sheriff topped the US chart, raising Marleys profile in that country. The long-awaited British chart breakthrough came with the single No Woman No Cry, from Live At The Lyceum (1975), and all seemed set fair for further success. But the singers off-stage progress was far from serene. He had survived an attempt on his life in 1976, escaping with minor injuries to his arm and chest when a gunman opened fire on Marley, his wife, Rita, and his manager. Musically, the upward curve continued with albums like Exodus (his first UK Top 10 chart album in 1977) and Kaya (1978), which were massive international sellers as well as creative highpoints.
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