Description
Relying on a blend of found sounds and samples, but instead of lending the album its primary colours, the Dust Brothers provided the accents, highlighting Beck’s ever-changing sounds, tying together his stylistic shifts, making the leaps from the dirge-blues of “Jack-Ass” to the hazy party rock of “Where’s It’s At” seem not so great.
Like Mellow Gold, Odelay winds up touching on a number of disparate strands — folk and country, grungy garage rock, stiff-boned electro, louche exotica, old-school rap, touches of noise rock — but there’s no break-neck snap between sensibilities, everything flows smoothly, the dense sounds suggesting that the songs are a bit more complicated than they actually are. Like a mosaic, all the details add up to a picture greater than its parts, so while some of Beck’s best songs are here, Odelay is best appreciated as a recorded whole, with each layered sample enhancing the allusion that came before.
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