Description
Muhammad brings his trademark tight sense of timekeeping, but with a looseness that we love and Lundys warm soulful bass does more than enough to give the set a sound bottom- all this while Hicks free lyrical piano works nicely with Sanders spiritual horn.
The brilliant Africa sessions features the quartet at their best…soulful but also searching for a strong groove at the same time. The music here is less ornamented than on most of Sanders studio recordings, where sextets, septets or larger lineups have been the norm, but this brilliant effort here remains every bit as compelling. Pharoah and his crew play with the utmost sensitivity and give a demonstration that shows us the full extent of their skills.
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