Description
It used string quartets, harpsichords and woodwinds to create a summer-into-autumn melancholy that was quite new, and quite far removed from rocknroll as Eddie Cochran would have known it. Baroque pops musicians often came from a folk background, with an affinity for acoustic instrumentation. Linda Ronstadt’s first band the Stone Poneys had introduced the autoharp to their line-ups in 1965, while the likes of Bonnie Dobson and Nico experimented with a string quartets, searching for different, post-electric Dylan directions.
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