Boys & Girls

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When Alabama Shakes played at Londons Boston Arms in February, the media played up Russell Crowes attendance. But more prescient and thrilling was the sweaty audience dancing their nads off and, at the after-party, singer Brittany Howard throwing herself around to 20th Century Boy. The Shakes cover T. Rexs glam boogie as part of their reclaiming of a spirit descended from classic blues, R&B and rocknroll, as witnessed by other covers including Otis Redding and AC/DC cuts. This vintage fusion has been nailed by a quartet barely out of their teens and has been hotly anticipated since the band broke…

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When Alabama Shakes played at Londons Boston Arms in February, the media played up Russell Crowes attendance. But more prescient and thrilling was the sweaty audience dancing their nads off and, at the after-party, singer Brittany Howard throwing herself around to 20th Century Boy. The Shakes cover T. Rexs glam boogie as part of their reclaiming of a spirit descended from classic blues, R&B and rocknroll, as witnessed by other covers including Otis Redding and AC/DC cuts. This vintage fusion has been nailed by a quartet barely out of their teens and has been hotly anticipated since the band broke cover, touring with Drive-By Truckers in 2011 after the alt-country crew fell in love with the Shakes song You Aint Alone.

A treacly soul-blues jam, You Aint Alone is a prime example of Howards prowess, her voice sounding as if its been richly BBQ-ed, like a raw ingnue at the court of Queens Aretha Franklin and Janis Joplin. Her charisma doesnt stop at the music: Hold Ons “Bless my heart / Bless my soul / Didnt think Id make it to 22-years-old” is a fantastically arresting start to any record. Lyrics are route-one effective throughout, as youd expect from an album called Boys & Girls, but the Shakes are not one-dimensional; theyre a tightly coiled slice of primal southern soul, usually stamped Memphis, Tennessee, but four hours east in the bands homeless of Athens, Alabama reached via the legendary town of Muscle Shoals is spitting distance as far as music is concerned.

Talking of spit, drummer Steve Johnson comes from a punk/metal background, and guitarist Heath Fogg has that indie outlook even if his chops are more Peter Green. Bassist Zac Cockrell, meanwhile, looks like the ghost of Little Feats chunky Lowell George has invaded his young body, down to the beard and flat cap. Green and Georges dextrous love of southern Americana is mirrored in the ramshackle sinews of I Found You and Hang Looses Creedence groove, but Be Mine is molten like Joplin and her Big Brother (and the) Holding Company, and Carl Perkins influences is hereabouts too. Its R&B, but not as Rihanna knows it.

Russell Crowe may not be a barometer of taste, but if Alabama Shakes arent the feel-good hit of the summer festivals, this writer will eat his flat cap.

–Martin Aston

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