Ed Kuepper & Jim White – After the Flood LP

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“Back in the mid-’90s theDirty Threeopened forEd Kuepperin Melbourne. That’s when Ed andJim Whitefirst crossed paths. Jim of course was well-aware of Ed; who wasn’t? This was an artist who had redefined Australian music not just once withThe Saints, not just twice withLaughing Clowns, but was at it again for a third time, under his own name. Roll forward to 2020. Time became malleable, even these most industrious of artists found themselves with time to kill. Jim was unexpectedly back in Australia, in fact stranded in Australia. Despite all the complexities of the pandemic Ed recognized an opportunity to capture…

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“Back in the mid-’90s theDirty Threeopened forEd Kuepperin Melbourne. That’s when Ed andJim Whitefirst crossed paths. Jim of course was well-aware of Ed; who wasn’t? This was an artist who had redefined Australian music not just once withThe Saints, not just twice withLaughing Clowns, but was at it again for a third time, under his own name. Roll forward to 2020. Time became malleable, even these most industrious of artists found themselves with time to kill. Jim was unexpectedly back in Australia, in fact stranded in Australia. Despite all the complexities of the pandemic Ed recognized an opportunity to capture the collaboration he’d long had in mind. The original idea was for the two of them to do a few shows together. It would be ‘casual’. But it proved to be anything but. Amidst the on-off restrictions and the threat of the virus the tour was a turbulent ride. They performed two sold out nights at the Sydney Opera House and fluked the only gig at Rising before the Melbourne Festival was cancelled. Other gigs were blown out and plans would be changed at the last minute. Touring was precarious with Ed and Jim unsure when restrictions would be announced, leaving them high and dry or forcing them to drive cross county late at night to cross state lines before the borders were closed. In amidst this turmoil a musical bond was forged. Ed appreciated Jim’s “rhythmic intent. It’s intuition based” he explains. The duo grasped an opportunity to enter Melbourne’s Sound Park Studio. Working quickly over four days they captured the music they had been performing. The resulting album features eight tracks that provide, as Ed puts it ‘The broadest representation of what we did, with the most variety.’ The widescreen selection of songs gives a tracking shot of Ed’s career to date. The earliest song reimagined here is The Saints’ ‘Swing For The Crime,’ which originally appeared in 1978 on thePrehistoric Soundsalbum. Ed’s early ’80s band Laughing Clowns is generously represented and rewired with the songs ‘Crying Dance,’ ‘The Year Of The Bloated Goat,’ and ‘Collapse Board.’ Deep into their careers, at the top of their game, ever curious, changing and searching, Ed and Jim reach another high-water mark.After The Floodwas recorded and mixed byIdgeat Sound Park Studio, Melbourne, Spring 2023. Produced by Ed Kuepper and Jim White.”

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