Fourth

Description

with British free-sax phenom Elton Dean’s status as a full-time member solidified after his participation on ‘third’, the ‘fourth’ and ‘fifth’ albums are the deepest into pure jazz that the band ever got. ‘fourth from 1971 finds the band at an interesting junction. It was recorded in the fall of 1970, meaning that, unlike ‘third’, ‘fourth’ was made after Miles Davis’ fusion innovations had gone public. yet the album does not sound particularly influenced by davis, or even by much else that was considered ‘fusion’ at the time. actually a lot of it sounds roughly like the band’s own innovations on ‘third’, but with more pronounced john coltrane influences and a number of the rock elements filtered out. this album marked the end of an era for the band, as it was the last soft machine album on which drummer robert wyatt appeared. wyatt had become dissatisfied with the band’s direction (he favoured a more rock-based approach and also wanted to sing) and left after recording ‘fourth’ to form the short-lived matching mole.