The Victims – The Victims LP

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Punk music, at its most effective, its most important, exists at a nexus of a few simple but important ideas. Punk needs to be youthful, it needs to be reactionary, it needs to be short-lived and it needs to be controversial. So for a group of twenty-something Australians, excitable as the frontline first wave of kids responding to both the Ramones and the Sex Pistols (yet still influenced by the New York Dolls and Stooges and Flamin Groovies), who existed for but barely for a year from 1977-1978 and wrote songs about serial killers, high school girls and hating discowell,…

SKU: AMR292173060
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Punk music, at its most effective, its most important, exists at a nexus of a few simple but important ideas. Punk needs to be youthful, it needs to be reactionary, it needs to be short-lived and it needs to be controversial. So for a group of twenty-something Australians, excitable as the frontline first wave of kids responding to both the Ramones and the Sex Pistols (yet still influenced by the New York Dolls and Stooges and Flamin Groovies), who existed for but barely for a year from 1977-1978 and wrote songs about serial killers, high school girls and hating discowell, Id argue they are the most perfect punk band ever.

The band was Dave Flick (aka Dave Faulkner later of the Hoodoo Gurus) on guitar and vocals, Rudolph V (Dave Cardwell) on bass and James Baker on drums. Best known for their classic Television Addict, that song is but the tip of the iceberg of the bands powers. Having self-released two godhead 7-inches during their brief existence, the seven songs on those singles are absolute cannon at this point. Quintessential, pure, unfuckwithable. And all that is just side one of the LP.

Side two contains a bounty of unreleased-for-decades demos of nine otherwise undocumented Victims originals. Demos in name alone, these properly recorded songs brim with all the identifying marks of the known Victims classicsirreverence, taking the piss, murderers and an invigorating youthful attitude.

The last thing to remember about punk as a theory, an aesthetic, is that its ideas are all bullshit anyway. Thats easily proved by the 7-inch EP released alongside this release of new recordings of Charlie, Horror Smash, I Wanna Be With You and Everynite which proves that the Victims now (featuring Ray Ahn from the Hard-Ons on bass), some 40 years after their heyday, could still easily take on any au courant band half their age. Ben Blackwell

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